"Jeee-sus!" said Frax. "Was that a dart gun, or a taser, or
what? And how do we know she's ever gonna `come to'? An old
lady like her, she might've had a stroke or cracked her skull
on the pavement. They don't seem to be too worried about
`collateral damage' issues here."
A moment later the light went out and stayed out, as two
figures appeared back on camera, now lit only by moonlight.
Grashof and Prandtl, as predicted.
"They'll have to pick the lock on the studio door," said Wilt.
"It's a double-keyed deadbolt that they can't bypass with any
simple credit card trick. Even if they cut a hole in the
plywood where the window used to be, the inside key lock means
they can't reach through and unlock it. They could probably
kick the door hard enough to tear out the frame, but it would
make a big racket."
They did none of these things. One reached into his gym bag and
pulled out what looked like oversized bolt cutters, but with
big-toothed gripping jaws instead of blades. These were applied
to the bezel around the deadbolt keyhole, crushing it with a
mighty crunch. The teeth bit through the bezel, which was meant
to spin freely to thwart simple twist-off attacks, and grabbed
the underlying lock housing. A quick thrust on the long handles
broke the internal mechanism, and a minute later, having
extracted the pieces along with the deadbolt itself, the two
opened the door and went in.
"Uhhh, I get the distinct impression these guys aren't
amateurs," groaned Wilt in a low voice, as he switched the
monitor to the inside camera and sound pickup. "Everyone keep
your voices down; we don't know how well sound carries here.
And let's turn out the overheads, but keep our phones handy
in case we need more light."
Confirming Wilt's bleak assessment, the pair pulled headlamps
from their bags and proceeded to search the studio. They
quickly realized there were no windows, and turned on the
overhead lights. As expected, they lingered over the copy mugs,
but it seemed clear they weren't fooled for long. They took
one, put it in a gym bag, and continued searching.
They were thorough, and eventually came to the plank-floored
aisle. They quickly discovered the upper trap door. When they
couldn't lift the lower one, they held a brief discussion to
decide whether to try prying, smashing, or torching it.
Frax watched with growing anxiety as they pulled out a drill
and made a small hole in the middle of the door, through which
they threaded a flexible fiber optic scope with its own light
source. After a few moments of observation the scope was
withdrawn, and the drill bit exchanged for a hole saw. Soon a
plug of steel-faced firebrick was drilled out near each slide
bolt, allowing a screwdriver to reach down and retract it.
"Starting to get just a tad nervous here," whispered Maud.
"These guys probably give lessons to James Bond in their spare
time. I think we need a backup plan, fast!"
"No shit!" Frax whispered back. "Looks like we either take our
chances by following the professors down the rabbit hole, or we
take our chances with the goons."
The first option was unanimous. "I'm putting Dad's notebooks in
my pack," declared Wilt softly. "If we're gonna bail, at least
they won't get those. We may have to hitch rides from Wisconsin
or Siberia or wherever the portal place is, but it sure looks
friendlier than those two."
He glanced at the computer. The monitor had reverted to
"Warm-up complete. Enter run duration in minutes:"
"Looks like we can be ready to go in a hurry. We have to guess
how long it will take all of us to crawl through that thing,
and we have to guess how long it will take them to break in
here."
"Good point," whispered Sparrow. "Once we fire up the system,
they'll know we're here for sure. It's loud enough to wake dead
people, along with poor Mrs. MacGruder who is hopefully not
among them. The Twins will know something is up, so they'll
want to move fast. I don't know if they can shoot guns through
the crack in the door, but I'd like to be in sunny Siberia, or
anywhere else, by then. I vote we leave ASAP."
The studio monitor showed the steel trap door being tilted out
of the way. "Damn!" said one of the attackers, looking down
the shaft. "Oh, well, that's why we carry all this shit. Let's
anchor the rope over there. And descend real slow when we get
near that trash heap."
"Well," said Maud, "it doesn't look like our great defense
system is even slowing them down. I second Sparrow's motion."
"I third it, in spades," said Frax. "This is looking like a
real nail-biter."
"OK," said Wilt, "get ready to squeeze through the big mug. I'm
giving it five minutes, and hoping they don't decide to follow
us. Luckily, those gorilla shoulders are probably too big to
fit." He entered the digit, and the banshees from Hell started
howling again. "Ladies first," he shouted over the roar. "I'm
most likely to get stuck, so I'll go last."
He handed his pack to Frax. "Just in case I do," he said, "you
take the secrets through ahead of time."
Frax strapped on the pack, leaving his own behind. In the
gloom, he saw Maud squirming into the opening, feet thrashing
behind her. The tripod received a solid kick in the process.
After Maud went through, Sparrow took one look and shouted,
"Hey, guys, the scene is drifting, up and sideways. It's not
moving too fast, but don't delay. I think the rest of us
better go through backwards if we don't want to land on our
heads. And whatever you do, don't kick the tripod again!"
Sparrow started in, feet first, holding her pack over her head.
Frax had a flash of inspiration. He looked at the height of the
tripod. He looked at how much slack would be available if the
wiring between the mug and the equipment racks were to be
pulled loose from the overhead clips.
He shouted to Wilt. "You go next! You'll fit; after all, your
old man made it and you're no broader than he is. I think we
can keep them from following us, and maybe even from getting
the mug."
The monitor screen showed 4:10 minutes remaining.
Holding his phone for light in the darkened shelter, Frax ran
to the shelving near the door, loping over the fat floor cables
feeding the portal. He grabbed two large spools of cable, one
gray and one black, hoping they'd be strong enough and long
enough. They were certainly heavy and bulky enough, requiring
both hands, so his phone went into his hip pocket; the glow of
the three rack monitors would have to be enough.
As he turned to run back he glanced at the shelter door; light
from the fiber optic scope snaked around through the crack,
looking for the best way to attack their door closure scheme.
Wilt was almost through by the time Frax got back, his hands
just letting go of the opening rim as he dropped out of sight.
The countdown showed 3:40.
Frax looked at the cable spools. The one with black cable was
marked "RG-8/U - 100 ft" and the cable was thicker and
stronger-looking than the gray. A quick glance at the end
revealed a multi-stranded inner conductor, not solid, and it
was fairly flexible. He tied it to the base of the nearest
equipment rack, which was itself bolted to the floor. He pulled
to make sure his knot was secure, then tossed the spool through
the opening where Wilt had vanished; it fell out of sight,
presumably unreeling as it went. Frax hoped the sideways motion
of the portal meant it was well clear of Wilt by now.
A gunshot rang out from the shelter door, louder even than the
portal roar, followed by the twang of the bullet ricocheting
from the ceiling. Another shot, this one ricocheting from the
floor. The thugs were apparently shooting at the flat slide
deadbolt blades, hoping the impact of a direct hit would tear
out whatever screws held them onto the door.
Due to the angle of the door crack, Frax didn't think they
could see the portal or himself in front of it; their missed
shots would hit the other end of the shelter, with the kitchen
and bedrooms. But what if a ricochet hit some critical
electronics in the racks before he got through? Or worse, while
he was partway through? He tried not to think about that.
A series of rapid shots was followed by a clang as the first
slide bolt blew off. The countdown showed 3:23.
He set the second spool on the floor in front of the tripod,
and unwound a generous length of gray cable. It was thinner and
more flexible than the black, and surely not as strong, but it
wouldn't need to be. With great caution, he tied the end to
the junction of the tripod legs, just above the mug. He unwound
still more cable, and looked through the tunnel mouth.
The scenery was moving awfully fast.
Making sure his eyeglass strap was secure, he got down on hands
and knees. He slipped his right arm through the pack straps,
and gripped the two cables together tightly with his right
hand. The black cable was taut, while the gray had several feet
of slack. With his left hand, he tossed the gray spool through
the opening, then with both hands gripping the paired cables he
backed in after it.
Another series of shots and a clang as the second door bolt
flew free. His last view of the timer showed 3:05.
The din from the singing coils surrounding him was deafening.
When his feet met empty space, a breeze swept over his ankles.
His nerve started to falter. He had to do this next part
exactly right; he must climb down the black cable, the one
tied to the rack, without pulling on the gray cable tied to the
tripod. If he just allowed the gray cable to run free, and its
spool snagged on the rocks below, the motion of the portal
would pull on the cable and upset the tripod. Instead he had
to keep both cables gripped tightly together until the proper
moment — no sliding down.
He took a deep breath and backed over the edge, into thin air.